The Challenges Female Artists Face Mid-Career
Each year, London-based collector Valeria Napoleone sets an acquisition budget for herself, and considers what works she might add to her roughly 400-work-strong collection of art by women, built over more than two decades. In the past five years, she noticed a strange, recurring phenomenon: Works by young artists, often barely out of grad school, commanded similar or higher prices than pieces by accomplished mid-career artists, some of whom she herself had been buying since the late 1990s.
Ten Galleries Whose Founders Quit The Big City To Become Cultural Trailblazers in the Heartland
“I’m the Gagosian of Memphis now,” jokes Matt Ducklo whose gallery Tops recently expanded to a second space. Six years ago, he opened the first location in the basement of a printing and stained-glass factory - to get down there, it’s a treacherous spelunk through a junk-filled hallway.
No Gallery? No Problem: 9 Millennial Art Strategies That Are Shaping the Future of Contemporary Art
Self-promotion shouldn't be a dirty word. Here's how millennial artists are using it to find success outside of the gallery system.
The Rapid Rise of Millennial Collectors Will Change How Art Is Bought and Sold via ARTSY
Groucho Marx once said that he never wanted to belong to any club that would accept him as a member. I feel a similar skepticism about being part of a club I never asked to join.
Done With Art Fairs, Dealers Invent New Exhibition Models to Liven Up Gallery Going VIa observer
For many small to mid-sized contemporary galleries, it’s widely agreed that art fairs are a necessary evil endured solely for the saving grace of getting a lot of eyes on their artists’ work.